{"id":7703,"date":"2024-07-01T21:27:44","date_gmt":"2024-07-01T21:27:44","guid":{"rendered":"https:\/\/pianosalsa.com\/?p=7703"},"modified":"2024-07-01T21:27:45","modified_gmt":"2024-07-01T21:27:45","slug":"transcription-complete-de-la-chanson-senora-ley","status":"publish","type":"post","link":"https:\/\/pianosalsa.com\/de\/transcription-complete-de-la-chanson-senora-ley\/","title":{"rendered":"Komplette Transkription des Chansons \u201cSe\u00f1ora Ley\u201d.\u201d"},"content":{"rendered":"<p>Chanson \u201cSe\u00f1ora Ley\u201d komponiert von Ram\u00f3n Rodr\u00edguez von Conjunto Cl\u00e1sico, aufgenommen auf dem Album \u201cLleg\u00f3 La Ley\u201d (1985), mit Tito Nieves als S\u00e4nger.<br><br>Der Conjunto Cl\u00e1sico wurde in New York von Ray Castro und Ram\u00f3n Rodriguez gegr\u00fcndet. 1979 arbeitete Tito Nieves mit Hector Lavoe zusammen, aber er wurde aus dem Projekt ausgeschlossen. Ram\u00f3n hatte bereits ein Jahr zuvor mit Tito an einer Platte des Orchesters La Masacre gearbeitet, und sie kannten sich sehr gut.<br>Cette chanson est d\u00e9di\u00e9e au musicien dominicain Fernando Villalona, un grand du merengue de la R\u00e9publique dominicaine, qui a eu des probl\u00e8mes avec la drogue et a fini en prison.<br>La chanson est en do mineur, commence en clave 3-2 mais passe en clave 2-3 juste avant le d\u00e9but du montuno.<br><br>Das Video-Tutorial mit dem kompletten Song (Demo) und ein zweites Video mit der ausf\u00fchrlichen Erkl\u00e4rung + die Begleitspur ohne Klavier zum \u00dcben sind verf\u00fcgbar.<br>Sie finden es mit seinem PDF- und MP3-Track in der Rubrik : REPERTORY des BASIS-NIVEAUS und auch in unserem Kurs TOUT REPERTORY.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/pianosalsa.com\/fr\/course\/basic-level-fr\/\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"748\" src=\"https:\/\/pianosalsa.com\/wp-content\/uploads\/2023\/09\/FR-CURSO-BASICO-PIANO-SALSA-1-1024x748.jpg\" alt=\"\" class=\"wp-image-7426\" srcset=\"https:\/\/pianosalsa.com\/wp-content\/uploads\/2023\/09\/FR-CURSO-BASICO-PIANO-SALSA-1-1024x748.jpg 1024w, https:\/\/pianosalsa.com\/wp-content\/uploads\/2023\/09\/FR-CURSO-BASICO-PIANO-SALSA-1-300x219.jpg 300w, https:\/\/pianosalsa.com\/wp-content\/uploads\/2023\/09\/FR-CURSO-BASICO-PIANO-SALSA-1-768x561.jpg 768w, https:\/\/pianosalsa.com\/wp-content\/uploads\/2023\/09\/FR-CURSO-BASICO-PIANO-SALSA-1-1140x833.jpg 1140w, https:\/\/pianosalsa.com\/wp-content\/uploads\/2023\/09\/FR-CURSO-BASICO-PIANO-SALSA-1.jpg 1170w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<div id=\"ssIdSession\" data-ssid=\"51a85b0448d516f41479ab498a4dac2d\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Chanson &#8220;Se\u00f1ora Ley&#8221; compos\u00e9e par Ram\u00f3n Rodr\u00edguez du Conjunto Cl\u00e1sico, enregistr\u00e9e sur l&#8217;album &#8220;Lleg\u00f3 La Ley&#8221; (1985), avec Tito Nieves [&hellip;]<\/p>","protected":false},"author":2,"featured_media":7698,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[322,308],"tags":[],"class_list":["post-7703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interessant","category-nouvelles"],"acf":[],"_links":{"self":[{"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/posts\/7703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/comments?post=7703"}],"version-history":[{"count":1,"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/posts\/7703\/revisions"}],"predecessor-version":[{"id":7704,"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/posts\/7703\/revisions\/7704"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/media\/7698"}],"wp:attachment":[{"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/media?parent=7703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/categories?post=7703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pianosalsa.com\/de\/wp-json\/wp\/v2\/tags?post=7703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}