Today we offer you a short biography of H\u00e9ctor Lavoe and the song \u201cEl Cantante\u201d. This great work, which was composed by Rub\u00e9n Blades and Willie Col\u00f3n, makes H\u00e9ctor \u201cS\u00e4nger der S\u00e4nger\u201d. The text is as if it were another of the life of the Puerto Rican artist.<\/p>\n\n\n\n
\u00dcber H\u00e9ctor Lavoe<\/strong><\/p>\n\n\n\n The singer-songwriter and music producer H\u00e9ctor Lavoe was born on 30. September 1946 in Puerto Rico in a close-knit family. At the age of three years he lost his mother; he was to be the first of many emotional scenes in the life of his father. His father, who as a guitarist in local trios and orchestras worked with H\u00e9ctor Musikunterricht. As early as in young years he studied at the Juan Morel Campos School of Music, where he learned to play the piano and saxophone, but he soon realized that the singing was something for him.<\/p>\n\n\n\n Reise nach New York und Anf\u00e4nge in der Musik (1963-1966)<\/strong><\/p>\n\n\n\n H\u00e9ctor tr\u00e4umte davon, in New York zu singen und reiste am 3. Mai 1963 im Alter von 16 Jahren nach New York, wo er mit seiner \u00e4lteren Schwesteren Priscilla lebte.<\/p>\n\n\n\n B\u00fchne mit Willie Col\u00f3n und seinem Orchester (1967-1974)<\/strong><\/p>\n\n\n\n Seit seinen Anf\u00e4ngen in der Musik nahm H\u00e9ctor Lavoe nahm insgesamt elf Alben mit Willie Col\u00f3n auf, darunter die beiden letzten Alben The Good, The Bad, And The Ugly (1975) und Vigilante (1983).<\/p>\n\n\n\n By 1988 Lavoe had continued to perform concerts despite his personal problems in order to work on his Grammy-nominated album Strikes Back, which he did not release a few months later.<\/p>\n\n\n\n Merkmale seiner Stimme<\/strong><\/p>\n\n\n\n A merkmal of Lavoes Stimme was his natural nasality, which he did not show in his voice. A further aspect was the glanz and the reinheit of his voice: he was still not dumping as long as he could. In addition, he had a great deal of power, which gave his interpretations a strong character. Er beherrschte auch sein Stimmregister, das von A2 (wie in einigen Live-Versionen von \u201cLa Murga de Panam\u00e1\u201d zu h\u00f6ren ist, w\u00e4hrend er die Posaunenmelodie spielt) bis A4 (wie im Bolero \u201cTanto como ayer\u201d und \u201cLa retirada\u201d zu h\u00f6ren ist) reichte, sehr effizient. Er verf\u00fcgte \u00fcber ein gew\u00f6hnliches Baritonregister von zwei Oktaven, das von \u201cA2\u201d bis \u201cA4\u201d reichte, mit einer Tessitura, die es ihm leicht machte, seine hohen T\u00f6ne auszuf\u00fchren. In addition, he also gives a diction, which he is able to write long, short sentences with great clarity and a good overwrite, which he is able to understand, what he has learned.<\/p>\n\n\n\n \u201eThe Singer\u201c<\/strong> (Der S\u00e4nger 1978)<\/p>\n\n\n\n Here we share the song \u201cEl Cantante\u201d, a great work that was composed by Rub\u00e9n Blades and Willie Col\u00f3n and with which H\u00e9ctor began to be known as \u201cder S\u00e4nger der S\u00e4nger\u201d. The text is as if it were another of the lives of the Puerto Rican artists.<\/p>\n\n\n\n