{"id":7697,"date":"2024-07-01T21:18:14","date_gmt":"2024-07-01T21:18:14","guid":{"rendered":"https:\/\/pianosalsa.com\/?p=7697"},"modified":"2024-07-01T21:18:15","modified_gmt":"2024-07-01T21:18:15","slug":"transcripcion-completa-de-la-cancion-senora-ley","status":"publish","type":"post","link":"https:\/\/pianosalsa.com\/en\/transcripcion-completa-de-la-cancion-senora-ley\/","title":{"rendered":"Full transcription of the song \u201cSe\u00f1ora Ley\u201d.\u201d"},"content":{"rendered":"

We present the song \u201cSe\u00f1ora Ley\u201d composed by Ram\u00f3n Rodr\u00edguez of Conjunto Cl\u00e1sico, recorded in the album \u201cLleg\u00f3 La Ley\u201d (1985), with Tito Nieves on vocals.<\/p>\n\n\n\n

Conjunto Clasico was created in New York by Ray Castro and Ramon Rodriguez. In 1979 Tito Nieves was working with Hector Lavoe but was called into the project. Ramon had already worked with Tito a year before on an LP of the orchestra La Masacre and they knew each other very well.<\/p>\n\n\n\n

This song is dedicated to the Dominican musician Fernando Villalona, a merengue great from the Dominican Republic, who had problems with drugs and ended up in prison. <\/p>\n\n\n\n

The song is in the key of C minor, starts in the key of 3-2 but changes to the key of 2-3 just before the montuno begins.<\/p>\n\n\n\n

The video tutorial with the complete song (demo) and a second video with the detailed explanation + the backing track without the piano are available for practice. <\/p>\n\n\n\n

You will find it together with its PDF and the MP3 backing track in the section of: REPERTORY of the BASIC LEVEL and also in our ALL REPERTORY course.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n
<\/div>","protected":false},"excerpt":{"rendered":"

Presentamos la canci\u00f3n “Se\u00f1ora Ley” composici\u00f3n de Ram\u00f3n Rodr\u00edguez del Conjunto Cl\u00e1sico, grabada en el \u00e1lbum “Lleg\u00f3 La Ley” (1985), […]<\/p>","protected":false},"author":2,"featured_media":7698,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[312,320,304],"tags":[],"class_list":["post-7697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-estilos-de-salsa","category-interesante","category-novedades"],"acf":[],"_links":{"self":[{"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/posts\/7697","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/comments?post=7697"}],"version-history":[{"count":1,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/posts\/7697\/revisions"}],"predecessor-version":[{"id":7699,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/posts\/7697\/revisions\/7699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/media\/7698"}],"wp:attachment":[{"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/media?parent=7697"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/categories?post=7697"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/tags?post=7697"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}