{"id":7705,"date":"2024-07-01T21:30:40","date_gmt":"2024-07-01T21:30:40","guid":{"rendered":"https:\/\/pianosalsa.com\/?p=7705"},"modified":"2024-07-01T21:30:40","modified_gmt":"2024-07-01T21:30:40","slug":"vollstandige-transkription-des-liedes-senora-ley","status":"publish","type":"post","link":"https:\/\/pianosalsa.com\/en\/vollstandige-transkription-des-liedes-senora-ley\/","title":{"rendered":"Full text version of the song \u201cSe\u00f1ora Ley\u201d.\u201d"},"content":{"rendered":"

Lied \u201cSe\u00f1ora Ley\u201d, composed by Ram\u00f3n Rodr\u00edguez of Conjunto Cl\u00e1sico, included in the album \u201cLleg\u00f3 La Ley\u201d (1985), with Tito Nieves at the end.

Conjunto Cl\u00e1sico was founded in New York by Ray Castro and Ram\u00f3n Rodr\u00edguez. In 1979 Tito Nieves worked with Hector Lavoe together, but he returned to the project. Ram\u00f3n had already worked a year earlier with Tito on an LP of the Orchesters La Masacre, and they were able to perform very well.
This song was written by the Dominican musician Fernando Villalona, a Merengue-Gr\u00f6\u00dfe from the Dominican Republic, who had a problem with doping and who has been living in poverty.
The song is in the Tonart c-Moll, begins in Clave 3-2, but is repeated shortly before the beginning of the Montuno in Clave 2-3.

The Video-Tutorial with the complete Song (Demo) and a second Video with the ausf\u00fchrlichen Erkl\u00e4rung + the Backing Track without key to start are available.
Sie finden es zusammen mit dem PDF und dem MP3-Backing-Track in der Sektion von: REPERTORIO des BASIC LEVEL and also in our ALL REPERTORIO Kurs.<\/p>\n\n\n\n

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Lied “Se\u00f1ora Ley”, komponiert von Ram\u00f3n Rodr\u00edguez von Conjunto Cl\u00e1sico, aufgenommen auf dem Album “Lleg\u00f3 La Ley” (1985), mit Tito […]<\/p>","protected":false},"author":2,"featured_media":7698,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[326,310,318],"tags":[],"class_list":["post-7705","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interessant-de","category-nachrichten","category-salsa-styles-de"],"acf":[],"_links":{"self":[{"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/posts\/7705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/comments?post=7705"}],"version-history":[{"count":1,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/posts\/7705\/revisions"}],"predecessor-version":[{"id":7706,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/posts\/7705\/revisions\/7706"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/media\/7698"}],"wp:attachment":[{"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/media?parent=7705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/categories?post=7705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pianosalsa.com\/en\/wp-json\/wp\/v2\/tags?post=7705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}