{"id":7734,"date":"2024-08-05T06:41:28","date_gmt":"2024-08-05T06:41:28","guid":{"rendered":"https:\/\/pianosalsa.com\/?p=7734"},"modified":"2024-08-05T06:41:29","modified_gmt":"2024-08-05T06:41:29","slug":"vollstandige-transkription-des-liedes-paraiso-de-dulzura","status":"publish","type":"post","link":"https:\/\/pianosalsa.com\/fr\/vollstandige-transkription-des-liedes-paraiso-de-dulzura\/","title":{"rendered":"Transcription compl\u00e8te des lieds \u201cParadis de la douceur\u201d."},"content":{"rendered":"

Bonjour les amis,<\/p>\n\n\n\n

Cette semaine, nous vous proposons la transcription int\u00e9grale du lied \u201cPara\u00edso de Dulzura\u201d, compos\u00e9 par le grand Hector Lavoe et repris par lui-m\u00eame dans son album \u201cLa Voz\u201d (Fania 1975).<\/p>\n\n\n\n

Le pianiste qui interpr\u00e8te cette chanson n'est autre que le l\u00e9gendaire Markolino Dimond, qui a \u00e9crit un Tumbao tr\u00e8s original et \u00e9mouvant dans le Tilleul de Montuno. Es ist ein Lied mittleren Niveaus, mit interessanten Voicings, um Akkorde mit Novenas und Trecenas zu \u00fcben.<\/p>\n\n\n\n

La chanson est dans le Tonart f-Moll et dans le Tonart 2-3.<\/p>\n\n\n\n

Il y a la vid\u00e9o du didacticiel avec le lied complet (d\u00e9mo) et une deuxi\u00e8me vid\u00e9o avec l'explication d\u00e9taill\u00e9e et la piste d'accompagnement sans clavier.<\/p>\n\n\n\n

Vous le trouverez avec le PDF et la piste d'accompagnement MP3 dans la section des : REPERTORIO des MEDIUM LEVEL et aussi dans notre cours ALL REPERTORIO.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n
<\/div>","protected":false},"excerpt":{"rendered":"

Hola amig@s, Diese Woche bringen wir euch die vollst\u00e4ndige Transkription des Liedes “Para\u00edso de Dulzura”, das vom gro\u00dfen Hector Lavoe […]<\/p>","protected":false},"author":2,"featured_media":7719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[108],"tags":[],"class_list":["post-7734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biographien"],"acf":[],"_links":{"self":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/comments?post=7734"}],"version-history":[{"count":2,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7734\/revisions"}],"predecessor-version":[{"id":7737,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7734\/revisions\/7737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/media\/7719"}],"wp:attachment":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/media?parent=7734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/categories?post=7734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/tags?post=7734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}