{"id":7754,"date":"2024-09-10T06:12:29","date_gmt":"2024-09-10T06:12:29","guid":{"rendered":"https:\/\/pianosalsa.com\/?p=7754"},"modified":"2024-09-10T06:12:30","modified_gmt":"2024-09-10T06:12:30","slug":"transcription-of-fuego-en-el-23","status":"publish","type":"post","link":"https:\/\/pianosalsa.com\/fr\/transcription-of-fuego-en-el-23\/","title":{"rendered":"Transcription de \u201cFire on 23\u201d.\u201d"},"content":{"rendered":"

Cette semaine, nous publions la transcription compl\u00e8te de la chanson \u201cFuego en el 23\u201d, compos\u00e9e par le l\u00e9gendaire musicien cubain Arsenio Rodriguez, inspir\u00e9e d'une histoire vraie.<\/p>\n\n\n\n

Des ann\u00e9es plus tard, en 1969, sous la direction du maestro Enrique \u201cQuique\u201d Lucca et l'arrangement du grand Papo Lucca, la premi\u00e8re version de la Sonora Ponce\u00f1a est publi\u00e9e dans l'album \u201cFuego en el 23\u201d (Inca Records 1969) avec la voix de Luigi Texidor et Tito Gomez.<\/p>\n\n\n\n

Douze ans plus tard, elle a \u00e9t\u00e9 mise \u00e0 jour et la Sonora Ponce\u00f1a a publi\u00e9 une nouvelle version sur l'album \u201cJubilee\u201d en 1985.<\/p>\n\n\n\n

Dans Piano Salsa, nous avons voulu transcrire la premi\u00e8re version enregistr\u00e9e par la Sonora Ponce\u00f1a en hommage \u00e0 l'un des plus grands pianistes de l'histoire de la salsa, le maestro Papo Lucca.<\/p>\n\n\n\n

Le tutoriel vid\u00e9o avec la chanson compl\u00e8te (d\u00e9mo) et une deuxi\u00e8me vid\u00e9o avec l'explication d\u00e9taill\u00e9e + la piste d'accompagnement sans le piano sont disponibles pour la pratique.<\/p>\n\n\n\n

Vous le trouverez avec son PDF et la piste d'accompagnement MP3 dans la section : REPERTORIO du NIVEAU MOYEN et aussi dans notre cours TOUT REPERTORIO.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n
<\/div>","protected":false},"excerpt":{"rendered":"

This week we release the complete transcription of the song \u201cFuego en el 23\u201d composition of the legendary Cuban musician […]<\/p>","protected":false},"author":2,"featured_media":7750,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[324,306,314],"tags":[],"class_list":["post-7754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interesting","category-news","category-salsa-styles"],"acf":[],"_links":{"self":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/comments?post=7754"}],"version-history":[{"count":1,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7754\/revisions"}],"predecessor-version":[{"id":7755,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7754\/revisions\/7755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/media\/7750"}],"wp:attachment":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/media?parent=7754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/categories?post=7754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/tags?post=7754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}