{"id":7760,"date":"2024-09-10T06:19:53","date_gmt":"2024-09-10T06:19:53","guid":{"rendered":"https:\/\/pianosalsa.com\/?p=7760"},"modified":"2024-09-10T06:20:12","modified_gmt":"2024-09-10T06:20:12","slug":"transkription-fuego-en-el-23","status":"publish","type":"post","link":"https:\/\/pianosalsa.com\/fr\/transkription-fuego-en-el-23\/","title":{"rendered":"Transcription \u201eFeu sur 23\u201c.\u201c"},"content":{"rendered":"

Cette semaine, nous pr\u00e9sentons la transcription compl\u00e8te des lieds \u201eFuego en el 23\u201c, une composition du l\u00e9gendaire musicien cubain Arsenio Rodriguez, inspir\u00e9e d'une histoire profonde.<\/p>\n\n\n\n

Quelques ann\u00e9es plus tard, en 1969, le Maestro Enrique \u201eQuique\u201c Lucca et le grand Papo Lucca ont r\u00e9alis\u00e9 la premi\u00e8re version de Sonora Ponce\u00f1a sur l'album \u201eFuego en el 23\u201c (Inca Records 1969), avec la participation de Luigi Texidor et Tito G\u00f3mez.<\/p>\n\n\n\n

Quelques ann\u00e9es plus tard, il a \u00e9t\u00e9 actualis\u00e9 et la Sonora Ponce\u00f1a a pr\u00e9sent\u00e9 en 1985 une nouvelle version sur l'album \u201eJubilee\u201c.<\/p>\n\n\n\n

Dans Piano Salsa, nous avons voulu transf\u00e9rer la premi\u00e8re version, tir\u00e9e de la Sonora Ponce\u00f1a, afin d'entendre l'un des plus grands pianistes de l'histoire de la Salsa, le Maestro Papo Lucca.<\/p>\n\n\n\n

Le didacticiel vid\u00e9o comprend un morceau complet (d\u00e9mo) et une deuxi\u00e8me vid\u00e9o avec des explications d\u00e9taill\u00e9es et une piste d'accompagnement sans clavier.<\/p>\n\n\n\n

Vous le trouverez avec le PDF et la piste d'accompagnement MP3 dans la section des : REPERTORIO des MEDIUM LEVEL et aussi dans notre cours ALL REPERTORIO.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n
<\/div>","protected":false},"excerpt":{"rendered":"

Diese Woche ver\u00f6ffentlichen wir die vollst\u00e4ndige Transkription des Liedes \u201eFuego en el 23\u201c, eine Komposition des legend\u00e4ren kubanischen Musikers Arsenio […]<\/p>","protected":false},"author":2,"featured_media":7750,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[310,318],"tags":[],"class_list":["post-7760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nachrichten","category-salsa-styles-de"],"acf":[],"_links":{"self":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/comments?post=7760"}],"version-history":[{"count":1,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7760\/revisions"}],"predecessor-version":[{"id":7761,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/posts\/7760\/revisions\/7761"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/media\/7750"}],"wp:attachment":[{"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/media?parent=7760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/categories?post=7760"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pianosalsa.com\/fr\/wp-json\/wp\/v2\/tags?post=7760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}